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  • Notes
    • Grumbling in Japan
    • Jazz is the Kotodama of English
    • The Blind Spot in Japanese Perception
    • Be Myself
    • The Essence of Jazz Is Rhythm Switching
    • Triple Offbeat-Leading Rhythm
    • GA and AAVE
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    • 2025/06/22
    • 2025/06/21
    • 2025/06/20
    • 2025/06/19

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  • The Structure of Rhythm is Always Based on Linguistic Habits
  1. Notes
  2. Triple Offbeat-Leading Rhythm

Triple Offbeat-Leading Rhythm

The SNL shopping-skit theme uses a fully offbeat-leading, tail-to-tail rhythmic structure that feels ordinary to Americans but is nearly unrecognizable to Japanese listeners, revealing how deeply linguistic habits shape unconscious rhythmic perception.

The Structure of Rhythm is Always Based on Linguistic Habits

SNL’s TV shopping skit opening music ─── It’s just ordinary, run-of-the-mill music, but pay attention to this rhythm. If you play this ordinary rhythm at a jam session in Tokyo, the drummer and bassist will fade out and stop.

This rhythm is what I call the triple offbeat-leading rhythm. It’s a rhythm where the offbeat leads in all quarter notes, eighth notes, and sixteenth notes, and Japanese speakers cannot recognize it. It has a tail-to-tail rhythm structure played in the order of 2345,6781 or 2341,2341 with sixteenth notes.

For Japanese people, it’s the most advanced rhythm, but for Americans, it’s just ordinary, lowbrow comedy theme music. This shows that the structure of rhythms we play unconsciously is always based on linguistic habits.

https://x.com/ats4u/status/1988980926647595490

目次

  • Notes
    • Grumbling in Japan
    • Jazz is the Kotodama of English
    • The Blind Spot in Japanese Perception
    • Be Myself
    • The Essence of Jazz Is Rhythm Switching
    • Triple Offbeat-Leading Rhythm
    • GA and AAVE
  • Journal
    • 2025/06/22
    • 2025/06/21
    • 2025/06/20
    • 2025/06/19
The Essence of Jazz Is Rhythm Switching
GA and AAVE

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